10 Best Lenses For Panasonic G7 2022 – Reviews & Guide
The Panasonic G7 is a fantastic camera that offers a lot of value for money. The camera has a great electronic viewfinder, a tilting high resolution rear LCD screen, the ability to shoot 4K video and even a built-in flash.
The Four Thirds sensor is smaller than a 35mm full frame sensor and APS-C sensors, so you need to pay extra attention to how lenses are labeled.
Having a smaller sensor also means that the lenses will have an equivalent focal length roughly doubled compared to lenses designed for full frame cameras. A 25mm lens will have the field of view of 50mm on the Panasonic G7.
Panasonic makes some really good lenses for Micro Four Thirds cameras and the G7 is no exception. They are often cheaper than their Olympus counterparts and tend to be sharper as well. The only drawback with Panasonic lenses is that they often come without optical stabilization, which is especially useful if you want to shoot in low light conditions.
1.Panasonic LUMIX G Leica DG SUMMILUX Lens
| Brand | Panasonic |
| Lens Type | Fisheye |
| Compatible Mountings | Micro Four Thirds |
| Camera Lens Description | 9 elements in 7 groups (3 aspherical lenses) |
| Maximum Focal Length | 15 Millimeters |
Designed for use with the Panasonic Lumix G series of mirrorless cameras, this Leica DG SUMMILUX 15mm f/1.7 ASPH Lens is a wide prime lens featuring a 30mm equivalent focal length. Employing one aspherical element, three extra-low dispersion elements, and one ultra extra-low dispersion element, this lens utilizes a series of low dispersion elements to greatly reduce color fringing and chromatic aberrations in order to produce greater clarity and color fidelity.
The optical design also incorporates a Nano Surface Coating to control surface reflections, flare, and ghosting for improved contrast and color neutrality in strong lighting conditions. Additionally, it utilizes a stepping AF motor for smooth and near-silent autofocus performance that suits both photo and video applications.
Bright f/1.7 maximum aperture benefits working in difficult lighting conditions and also affords extensive control over depth of field for isolating subject matter using selective focus techniques.
One aspherical element is incorporated into the lens’s design to minimize distortion and spherical aberrations in order to produce sharper imagery with more accurate rendering.
2. Panasonic LUMIX G 20mm F1.7 II ASPH Lens
| Brand | Panasonic |
| Lens Type | Fisheye |
| Compatible Mountings | Micro Four Thirds |
| Camera Lens Description | 20 millimetres |
| Maximum Focal Length | 20 Millimeters |
The Panasonic LUMIX G II VARIO 20mm f/1.7 ASPH. Lens, a “pancake” lens, provides a 40mm equivalent focal length. It is designed for use with the Micro Four Thirds system and provides a 90 diagonal angle of view.
With an extremely compact size of 1.7 long and weighing only 2.4 oz, this lens is designed for both photo and video recording applications.
This lens features an aperture range from f/1.7 to f/22 and utilizes one aspherical element in its optical design to minimize distortion and produce sharp imagery.
It also uses multi-coated lens elements to control lens flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions. Additionally, it employs an inner focusing system driven by a stepping motor that is ideal for smooth and silent autofocus when recording videos with the camera’s contrast-detect AF system.
3. Panasonic LUMIX G Leica 25mm f1.4 Leica Lens
| Brand | Panasonic |
| Lens Type | Standard |
| Compatible Mountings | Micro Four Thirds |
| Camera Lens Description | 9 elements in 7 groups (2 aspherical lenses , 1 UHR(Ultra High Refractive Index)Lens ) |
| Maximum Focal Length | 25 Millimeters |
Ideal for capturing the best moments in low-light environments, the black LUMIX G Leica DG Summilux 25mm f/1.4 ASPH. Lens from Panasonic is a 52mm equivalent wide-angle lens specifically designed for Micro Four Thirds mirrorless cameras.
The bright f/1.4 maximum aperture excels in difficult lighting conditions and also provides greater control over depth of field for isolating subjects using selective focus techniques. It also features a rounded 7-blade diaphragm to produce a smooth bokeh quality to selective focus imagery, as well as an internal focusing design that maintains the overall lens length during operation and contributes to faster autofocus performance.
The lens’ optical construction integrates two aspherical elements and one extra-low dispersion element into its design to minimize spherical aberrations and color fringing throughout the aperture range in order to achieve notable image clarity, sharpness, and color accuracy. The physical design incorporates a metal mounting plate for durability as well as a 46mm filter ring that permits working with optional screw-in filters such as circular polarizers and ND filters.
4. Panasonic LUMIX G Vario 7-14MM f4.0 Lens
| Brand | Panasonic |
| Lens Type | Fisheye |
| Compatible Mountings | Micro Four Thirds |
| Camera Lens Description | 16 elements in 12groups (2 Aspherical lenses, 4 ED lenses) |
| Maximum Focal Length | 14 Millimeters |
When you invest in interchangeable lenses like the Lumix G Vario 7-14mm f/4.0 ASPH., you’re investing in a system of lenses that will grow with you as your skills develop and your interests change.
The Lumix G VARIO 7-14mm f/4.0 ASPH. lens features a 35mm focal length equivalency of 14-28mm. It features 3 aspherical lenses, 1 ED lens and 1 UHR lens to achieve high resolution, high contrast image rendering and sharp, clear images even at the periphery.
The LUMIX G VARIO 7-14mm achieves a compact size with an outstanding wide angle despite its ultra-wide angle capability of 114 degrees at the wide end and all-glass lens construction with multi-coated lens elements that minimize ghosts and flare. The LUMIX G VARIO 7-14mm expands shooting possibilities for the advanced photographer, both in digital interchangeable lens cameras and 35mm film SLR cameras.
5. Panasonic LUMIX G X Vario II 12-35 mm f2.8 Lens
| Brand | Panasonic |
| Focal Length Description | 12 – 35mm (35mm camera equivalent: 24 – 70mm) |
| Lens Type | Wide Angle |
| Compatible Mountings | Micro Four Thirds Mount |
| Camera Lens Description | 35 millimetres |
High performance, high mobility. The successor to the popular LUMIX G X VARIO II 12-35mm/F2.8 lens (35mm camera equivalent: 24-70mm) features a new optical system with four aspherical lenses and one ultra high refractive index lens, which boasts a dramatic downsizing of the size and weight to just over half that of its predecessor. And it offers complete splashproof / dustproof construction when mounted on a splashproof / dustproof LUMIX G Micro System camera.
Pairing the 12-35mm F2.8 with a Splash Proof / Dust Proof LUMIX G Micro System camera makes it possible to shoot in any weather or location.
The redesigned optical system is comprised of four aspherical lenses and one ultra high refractive index lens, which dramatically reduces size and weight while achieving superb resolution.
POWER O.I.S. (Optical Image Stabilizer) compatible with enhanced LUMIX Dual I.S.2 helps suppress blurring in photo and video recording even in low-lit situations by adding 5-axis correction3 when using an applicable LUMIX GX85 or other digital interchangeable camera compliant with Dual I.S.
6. Olympus M.Zuiko Digital 45mm F1.8 Lens
| Brand | Olympus |
| Lens Type | Telephoto |
| Compatible Mountings | Micro Four Thirds |
| Camera Lens Description | 45 millimetres |
| Maximum Focal Length | 45 Millimeters |
A bright portrait lens with a fast f/1.8 aperture, the Olympus M.Zuiko Digital 45mm f1.8 Micro Four Thirds lens is ideal for low-light shooting and creating shallow depth of field images. The focal length of this lens is equivalent to 90mm in 35mm format, making it perfect for blurring backgrounds and isolating subjects from their surroundings.
The MSC (Movie Still Compatible) design allows for quiet autofocusing when shooting video, allowing soundtracks to be recorded without interference from the focusing mechanism. The rounded seven blade diaphragm opening creates an attractive out-of-focus effect when using selective focus techniques, enhancing the overall quality of your images.
A bright portrait lens with a fast f/1.8 aperture, the Olympus M.Zuiko Digital 45mm f1.8 Micro Four Thirds lens is ideal for low-light shooting and creating shallow depth of field images. The focal length of this lens is equivalent to 90mm in 35mm format, making it perfect for blurring backgrounds and isolating subjects from their surroundings.
The MSC (Movie Still Compatible) design allows for quiet autofocusing when shooting video, allowing soundtracks to be recorded without interference from .
7. Panasonic LUMIX G Lens, 42.5mm F1.7 Lens
| Brand | Panasonic |
| Focal Length Description | F=1.7 |
| Lens Type | Telephoto |
| Compatible Mountings | Micro Four Thirds |
| Camera Lens Description | 10 elements in 8 groups (1 aspherical lens) |
Panasonic LUMIX Mirrorless Micro Four Thirds lenses deliver a no-compromise approach to optical performance for modern interchangeable camera enthusiasts and professionals. As an optical partner of legendary LEICA DG Lenses, Panasonic LUMIX provides a wide variety of digital interchangeable lens options.
The new 42.5mm F1.7 ASPH. POWER O.I.S. (Optical Image Stabilizer) Lens is perfect for low light photography with a bright F1.7 aperture, and the short minimum focusing distance of 31cm brings you even closer to the subject for beautiful bokeh effects.
Compatible with all Micro Four Thirds cameras, this high-performance lens features POWER Optical Image Stabilizer technology to help minimize the appearance of camera shake in photos and videos even in low-light situations without requiring a tripod or monopod. The fast, 240fps drive AF system provides smooth 4K video capture performance along with quick AF speed when shooting still images in both photo and video modes.
The 42.5mm F1.7 lens features a versatile 85mm focal length (35mm camera equivalent) for portraits, landscapes and anything in between that demands creative framing for artistic expression or selective focus techniques like beautiful bokeh effects.
8. Sigma 18-35mm F1.8 Art Lens
| Brand | Sigma |
| Lens Type | Wide Angle |
| Compatible Mountings | Canon EF-S |
| Camera Lens Description | 35 millimetres |
| Maximum Focal Length | 35 Millimeters |
The Sigma 18-35mm 1.8 DC HSM Art is the first wide-angle to standard zoom lens to achieve a large aperture of 1.8. Designed specifically for APS-C sized sensors, the Sigma 18-35mm 1.8 translates to 27mm-52.5mm on 35mm camera. On Canon APS-C DSLRs it is equivalent to a 28.8-56mm lens and offers a 35mm focal length equivalence of 29-69mm when used with Nikon DX cameras.
A large aperture of 1.8 throughout the entire zoom range offers outstanding depth of field control and low light performance. For videographers or photographers who wish to emphasize movement, a subject can be made more prominent by using a shallow depth of field and blurring the background. The 18-35mm also offers a minimum focusing distance of 11 inches (28 cm) throughout the entire zoom range, which benefits close up photography as well as macro photography by offering further magnification.
The 18-35mm F1.8 DC HSM is part of Sigma’s Art line of lenses, which are designed to achieve truly notable optical performance and are ideal for landscape photography, portrait photography, still life photography, snap shots, casual, and close ups.
9. Rokinon 12mm T2.2 Cine Lens
| Brand | Rokinon |
| Lens Type | Wide Angle |
| Compatible Mountings | Olympus/Panasonic Micro 4/3 |
| Maximum Focal Length | 12 |
| Minimum Focal Length | 12 |
Lenses are the gateway to your images and they are perhaps the most important tools in your creative arsenal. Rokinon Cine DS lenses offer all of the advanced features and functions that videographers demand, including de-clicked apertures, follow focus compatibility, unified gear positions and color coded rings for ease of use.
They feature optimized geared focus and aperture rings, calibrated in T stops for consistent light transmission and color matched to exacting standards to deliver precisely consistent results. The Rokinon Cine DS lens set is designed with professional videographers in mind who demand the best in optics, construction and performance!
All Rokinon lenses feature industry standard 0.8 mod gears for use with follow focus units. The aperture ring has also been de-clicked for smooth iris pulls and a unified gear position across all Rokinon Cine DS lenses makes swapping lenses fast and easy. Apertures have also been calibrated in T stops for consistent light transmission across all lenses. Each lens is color coded for instant recognition on set.
The 12mm T2.2 NCS CS lens is an excellent addition to the highly regarded Rokinon Cine DS line of professional cinema lenses designed specifically for DSLR cameras. With a 24mm equivalent focal length.
10. Rokinon Cine CV85M-MFT 85mm T1.5
Compatible with Olympus and Panasonic Micro Four-Thirds Cameras, this 85mm T1.5 lens is the latest addition to Rokinon’s growing family of cine lenses. It features the same outstanding quality as our Rokinon 85mm f/1.4 lens but has been upgraded to a professional cine style housing which includes a de-clicked aperture and follow focus compatibility. This new Cine lens also features dual calibrated right and left side distance and T-stop scales (marked in feet), an industry standard geared focus ring, a removable petal shaped lens hood with lock and front and rear lens caps.
The 85mm focal length is perfect for both photo and video applications on the Micro Four-Thirds system by providing a medium telephoto field of view well suited for portraiture, interviews, weddings and other events. Its fast maximum f/1.5 aperture allows working in low light conditions and its robust construction makes it ideal for use on production sets as well as in independent filmmaking.
Each Rokinon Cine lens comes with a 1 year warranty offered by Rokinon directly as well as a microfiber cleaning cloth, front and rear lens caps and a removable lens hood.